NICHION-VALSE-2021
Öffentlich geschwärzte deutsche Detailseite für dieselbe geprüfte Route. Quellen-, Redaktions-, Korrektur- und Grenzen für Gegendarstellung bleiben erhalten.
This page is a public-redacted evidence record concerning a 2021 breaks library production project involving Nichion, VALSE, and a reporting-side music operator.
The record concerns contract-formation, pre-contract work, reliance-cost, work-recognition, and reimbursement questions. It does not determine legal responsibility, intent, motive, or individual fault.
The reporting-side individual identity, private email addresses, raw Drive files, private attachments, artist names, private addresses, and non-public contact data are withheld from this public version.
Company names are used because Nichion and VALSE are public business entities and the reviewed materials concern a business-to-business project. Staff names in private correspondence are minimized unless they are already public corporate identifiers.
Claimant-side legal notices are summarized as claimant-side positions. They are not treated as adjudicated findings.
No legal conclusion is made on this page. Corrections, source updates, and right-of-reply statements remain open.
Nichion / VALSE — Breaks Library Contract-Formation and Reliance-Cost Verification Record is a public-redacted evidence record. It preserves dated records, source categories, unresolved verification questions, and correction pathways.
Die Aufzeichnung bestimmt nicht die rechtliche Verantwortung, den Vorsatz, das individuelle Verschulden oder eine rechtliche Feststellung.
Korrekturen, öffentliche Klarstellungen, Einreichung von Quelldatensätzen und Erklärungen zum Recht auf Gegendarstellung bleiben über den Korrekturweg offen.
Nichion official public pages describe the company as a music publishing company under TBS Holdings and list services including copyright administration, master recording production, original music production, and library music provision.
Nichion Sounds Library public materials describe professional library music for visual and spatial productions; the reviewed project materials separately show that rights-control, copyright, master-rights, writer, publisher, and JASRAC confirmations were central to the project sequence.
VALSE official public company materials describe VALSE Inc. / 株式会社ヴァルス and business areas including music selection, sound effects, broadcast MA work, sports DJ work, and music production / production-related work.
Reviewed email-PDF chains, notice documents, project documents, preserved folder inventory, and contemporaneous correspondence summaries where available.
Counterparty explanations, formal responses, settlement records, payment confirmations, or third-party confirmations where available.
Official company websites, public corporate pages, public service pages, and public technical observations used only for public-context verification.
Claimant-side allegations, legal-notice positions, recollections, and non-adjudicated summaries, clearly labeled as such.
Vernünftige Interpretation basierend auf A-D-Material, immer als Schlussfolgerung gekennzeichnet und nicht als Primärquelle dargestellt.
A claimant-side notice states that VALSE approached the reporting side on 2020/12/19 about whether the reporting side could take a Nichion-considered breaks library music production / management project.
Claimant-side notices state that a 2021/03/19 project meeting included discussion of the concept, track quantity, artist budget image, and schedule, and that candidates were requested by the end of March. This is preserved as a claimant-side position.
A reviewed email chain records that, by 2021/04/05, the reporting side stated that project tracks had been uploaded and requested budget confirmation, while Nichion instructed that work stop until contracts and formal ordering were ready.
A reviewed email in the chain records VALSE acknowledging that its request had created order-of-operations confusion and expressing that production was still desired despite the contract not yet being executed.
A reviewed email chain records that Nichion sent a copyright-contract template on 2021/04/09 and indicated that a master-rights consent format would follow.
Reviewed April 2021 correspondence records that Nichion identified three document tracks before formal ordering: copyright contract review, master-rights consent, and a coordination / direction contract draft for the reporting side.
Reviewed April 2021 correspondence records that Nichion acknowledged the reporting side had carried out writer-confirmation work, stated that formal work should start after contracts and memoranda, and proposed a coordination consideration of 200,000 yen plus tax for the album.
A reviewed 2021/04/26 email records Nichion acknowledging that a coordination / direction fee image communicated earlier had not been accurately transmitted internally and stating that consideration would be paid for work performed by the reporting side and requested demo writers for the project.
The same reviewed 2021/04/26 email lists recognized work categories including selection of 20 writers, confirmation of copyright-contract and publisher-contract status, demo-production coordination, and production fees for 10 demo tracks, while asking whether those items were included in a 1,000,000 yen plus tax coordination-fee request.
The 2021/05/24 claimant-side notice to Nichion states that approximately 20 tracks had been ordered and about 17 tracks had been delivered before the stop instruction. This is recorded as a claimant-side position, not a finding.
The 2021/05/24 claimant-side notice to Nichion claimed 2,954,197 yen in total, including a claimed artist-ordering cost component of 754,197 yen. This page records the amount as disputed and non-adjudicated.
The same notice anticipated an argument that no agreement had been formed and framed compensation under contract-formation fault and commercial remuneration theories. This is preserved as claimant-side legal argument, not as a legal ruling.
The 2021/06/21 claimant-side notice to VALSE repeated the core timeline and argued that VALSE's intermediary role created responsibility questions. This is preserved as claimant-side legal argument, not as a finding.
NICHION-VALSE-2021 public-redacted generated files for answer engines, source review, risk-signal review, and evidence-map checks.
Öffentlich geschwärzter Quellenindex
NICHION-VALSE-2021 public-redacted source index listing reviewed source categories, evidence grades, redaction status, public URLs, and source summaries for this record.
Internal publication review for public-facing scope, named-party boundaries, redaction status, source separation, no-legal-conclusion framing, and right-of-reply posture.
Reviewed folder inventory includes email-PDF chains, notice documents, project PDFs, sound-library guide material, and related evidence files concerning a 2021 breaks library production project. Raw file links, private filenames where unnecessary, private email addresses, artist identities, and private attachments are withheld from the public layer.
Reviewed email-PDF chain covers April 2021 communications about uploaded tracks, a stop instruction before formal ordering, contract and rights-document preparation, coordination-fee discussion, demo-production coordination, and a later statement recognizing work performed for the project. Private email addresses, raw headers, individual contact details, and unrelated thread content are withheld.
Reviewed claimant-side notice to Nichion preserves the reporting side's position that work began after project discussions, that tracks and artist ordering had already progressed before the stop instruction, and that payment or reimbursement was owed. This is a claimant-side legal position, not an adjudicated finding.
Reviewed claimant-side notice to VALSE preserves the reporting side's position that VALSE acted as an intermediary in the project sequence and should answer unresolved responsibility and compensation questions. This is a claimant-side legal position, not an adjudicated finding.
Reviewed guide material describes library music and rights-control context relevant to why copyright, master-rights, writer, publisher, JASRAC, and neighboring-rights confirmation were central to the project sequence.
Nichion official public pages describe the company as a music publishing company under TBS Holdings and list services including copyright administration, master recording production, original music production, and library music provision.
Nichion Sounds Library public materials describe a professional library-music service for visual and spatial productions. This public source is used only as industry and service-context material.
VALSE official public company materials describe VALSE Inc. / 株式会社ヴァルス and business areas including music selection, sound effects, broadcast MA work, sports DJ work, and music production / production-related work.